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Līga Spunde, Lilies of the Valley / Tribute to a Tired Girl, 2022, series of screen prints and 3D printed objects, magnets. View from the exhibition Decolonial Ecologies, Riga Art Space, Riga, 2022. Photo by Madara Kupla
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Līga Spunde, Lilies of the Valley / Tribute to a Tired Girl, 2022, series of screen prints and 3D printed objects, magnets. View from the exhibition Decolonial Ecologies, Riga Art Space, Riga, 2022. Photo by Madara Kupla
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Līga Spunde, Lilies of the Valley / Tribute to a Tired Girl, 2022, series of screen prints and 3D printed objects, magnets. View from the exhibition Decolonial Ecologies, Riga Art Space, Riga, 2022. Photo by Madara Kupla
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Līga Spunde and Aleksandrs Breže, Last Harvest, Maboca gallery Visuma Centrs 2, Madona, 2022
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Līga Spunde and Aleksandrs Breže, Last Harvest, Maboca gallery Visuma Centrs 2, Madona, 2022
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Līga Spunde and Aleksandrs Breže, Last Harvest, Maboca gallery Visuma Centrs 2, Madona, 2022
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Līga Spunde and Aleksandrs Breže, Last Harvest, Maboca gallery Visuma Centrs 2, Madona, 2022
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Līga Spunde and Aleksandrs Breže, Last Harvest, Maboca gallery Visuma Centrs 2, Madona, 2022
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Līga Spunde, Still Life with Computer Mouse, 2022, 3D milled wood, plexiglass. View from Riga Photography Biennale 2022 exhibition Screen Age III: Still Life, Riga Art Space, Riga, 2022
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Līga Spunde, Arrhythmia of the system, 2021, digital drawing. View from the exhibition Force[d] Majeure, the Hanzas Perons territory, Riga, 2021. Photo by Ansis Starks
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Līga Spunde, There’s No Harm In Any Blessings, 2020, mixed media installation . Survival kit 11, Latvian Center Of Contemporary Art, Riga, 2020
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Līga Spunde, There’s No Harm In Any Blessings, 2020, mixed media installation . Survival kit 11, Latvian Center Of Contemporary Art, Riga, 2020
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Līga Spunde, There’s No Harm In Any Blessings, 2020, mixed media installation . Survival kit 11, Latvian Center Of Contemporary Art, Riga, 2020
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he Bambi Project, curated by Šelda Puķīte, Kogo Gallery, Tartu, 2021. Photo by Marje Eelma
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The Bambi Project, curated by Šelda Puķīte, Kogo Gallery, Tartu, 2021. Photo by Marje Eelma
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The Bambi Project, curated by Šelda Puķīte, Kogo Gallery, Tartu, 2021. Photo by Marje Eelma
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The Bambi Project, curated by Šelda Puķīte, Kogo Gallery, Tartu, 2021. Photo by Marje Eelma
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Līga Spunde, The New World, 2021, digital drawing
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Cybervikings of Mars, Līga Spunde, 427 Gallery, Riga, 2021
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Cybervikings of Mars, Līga Spunde, 427 Gallery, Riga, 2021
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Līga Spunde, It’s a Match, 2019, digital drawing
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When Hell Is Full the Dead Will Walk the Earth, Līga Spunde, Kim? Contemporary Art Center, Riga, 2019
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When Hell Is Full the Dead Will Walk the Earth, Līga Spunde, Kim? Contemporary Art Center, Riga, 2019
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Līga Spunde, The Sims. A Very Boring Game, 2019, digital drawing
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When Hell Is Full the Dead Will Walk the Earth, Līga Spunde, Kim? Contemporary Art Center, Riga, 2019
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Līga Spunde, When Hell Is Full the Dead Will Walk the Earth, 2019, digital drawing
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Līga Spunde, Dialogues, 2019, video projection. When Hell Is Full the Dead Will Walk the Earth, Kim? Contemporary Art Center, Riga, 2019
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When Hell Is Full the Dead Will Walk the Earth, Līga Spunde, Kim? Contemporary Art Center, Riga, 2019
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When Hell Is Full the Dead Will Walk the Earth, Līga Spunde, Kim? Contemporary Art Center, Riga, 2019
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Līga Spunde, A Conversation With Tom Mills, 2019, mixed media installation. Champs-Élysées, 427 Gallery, Riga, 2019
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Līga Spunde, A Conversation With Tom Mills, 2019, mixed media installation. Champs-Élysées, 427 Gallery, Riga, 2019
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Melos, Līga Spunde, Vika Eksta and Anna Ceipe, Arsenāls, Latvian National Museum Of Art, Riga, 2019
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Līga Spunde, Boy Meets Girl and The Angels, 2019, wood, polyester resin, air fresheners. Melos, Arsenāls, Latvian National Museum Of Art, Riga, 2019
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Līga Spunde, The Angels, 2019, polyester resin, air fresheners. Melos, Arsenāls, Latvian National Museum Of Art, Riga, 2019
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Melos, Līga Spunde, Vika Eksta and Anna Ceipe, Arsenāls, Latvian National Museum Of Art, Riga, 2019
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Melos, Līga Spunde, Vika Eksta and Anna Ceipe, Arsenāls, Latvian National Museum Of Art, Riga, 2019
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Interlude, Līga Spunde in collaboration with Alvis Misjuns and Reinis Semēvics, Riga Circus Elephant Stables, Riga, 2018
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Interlude, Līga Spunde in collaboration with Alvis Misjuns and Reinis Semēvics, Riga Circus Elephant Stables, Riga, 2018
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Interlude, Līga Spunde in collaboration with Alvis Misjuns and Reinis Semēvics, Riga Circus Elephant Stables, Riga, 2018
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Līga Spunde, Klāvs Mellis, How a Well-known Local Art Historian Called Me Fat When I Was Nine Years Old, 2017, dancing performance, mixed media installation. Much Better, Low Gallery, Riga, 2017
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Līga Spunde, Klāvs Mellis, How a Well-known Local Art Historian Called Me Fat When I Was Nine Years Old, 2017, dancing performance, mixed media installation. Much Better, Low Gallery, Riga, 2017
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Līga Spunde, Klāvs Mellis, How a Well-known Local Art Historian Called Me Fat When I Was Nine Years Old, 2017, dancing performance, mixed media installation. Much Better, Low Gallery, Riga, 2017
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The Hike, Līga Spunde, RIXC Gallery, Riga, 2016
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Līga Spunde, The Presence of Evil, 2016, video projection
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Līga Spunde, Growing Cold, 2016
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The Hike, Līga Spunde, RIXC Gallery, Riga, 2016
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